Axess Programme on Journalism and Democracy |
||
ProjectsItalian Journalism in the Age of Silvio BerlusconiWhat's happened to Italian news media in the last two decades, and what was it like before? Reporting ChinaChinese journalism after market reforms: the possibility and dangers of investigation. Russian News is Good NewsThe remaking of Russian journalism, and Russian journalists, in the age of Vladimir Putin. Independent Journalism in Post-Independence StatesThe perils and possibilities of holding power to account in different African countries. The Pipers and the TunesA comparative perspective on the power of proprietors, public service and people to influence the content and limits of journalism. The Peripheral Vision of Central IssuesHow good is the coverage of matters essential to public welfare and the public interest? And who cares about it? |
Sad is the Society of the SpectacleSubmitted by John Lloyd on March 31, 2010 - 4:43 PM
A radical philsopher of the Paris '68 events has caught our present dilemma There’s a case to be made that Guy Debord was the most interesting figure thrown up by the Paris events of 1968. Debord died in 1994, in his early 60s, and his later years were spent in obscurity. In his brief period as a leader (except there were no leaders) of Situationist International, he inserted a phrase into intellectual life, which has stayed there, and been tortured there, ever since. The “society of the spectacle” was, in his mind, a way of capturing the central importance of the image in contemporary society. Images, he thought, had replaced human interaction. It was a brilliant early encapsulation of what is increasingly the state of our politics. Politics more and more merge with the media on which they depend: and spectacle becomes all. Two countries lead this trend: the US and Italy. For Italy, see the posts of Ferdinando Giugliano. For the US, see below: The US right now works almost wholly through spectacle. The rise of Sarah Palin, through being vice presidential candidate to John McCain to her present role as aspirant presidential candidate of the right, is spectacle driven. So is another rise: that of Elizabeth Cheney, daughter of former Vice President Dick Cheney, who may yet displace Palin. The spectacle she constructed to bolster her image was a political ad, which branded the lawyers who defended Guantanamo detainees as “the Al Qaeda Seven”, asking, “Whose values do they share?" The ad shocked many on the right – but was greeted – according to a Newsweek report – with joy by her circle, and by the conservative talk-show hosts who now seem to b e in charge of the Republican agenda. From Newsweek – “Cheney’s aides could barely contain their glee last week at the ruckus they had stirred up. 'For $1000 (the cost of the ad) we’ve driven the debate for a week,' said one political adviser who asked not to be identified because (Cheney’s) group (Keep America Safe), co-led by Conservative commentator Bill Kristol, wanted to speak only through official statements. Or, as one of Liz Cheney’s biggest fans, Rush Limbaugh, put it on his radio show, 'It sure as hell got everyone’s attention, didn’t it?'" When attention becomes the criterion, we have entered not just the society of the spectacle, but the society of the asylum. Thomas Jefferson, third President of the United States and co-author of the Declaration of Independence, said he would prefer the government of newspapers to that of politicians: in the form of talk TV and radio rather than newspapers, his wish is coming true. He should have been careful for what he wished. We invite our readers to submit blogs similar to those posted on the website by our researchers. If you have strong views about journalism and politics that you'd like to share, submit your writing to us by emailing janice.winter@axessjournalism.com Comments (0)Post a CommentPlease allow some time for our editors to approve your comment after posting. |
Latest BlogpostsWhat we are readingHow Cablevision Is Destroying NewsdayBy Christopher Twarowski and Michael Patrick Nelson Freelance writing's unfortunate new modelBy James Rainey for the Los Angeles Times South Africa & worrying signs for press freedomMail & Guardian article by Dario Milo on concerning media legislation Related Pages |