Projects

Italian Journalism in the Age of Silvio Berlusconi

What's happened to Italian news media in the last two decades, and what was it like before?

Reporting China

Chinese journalism after market reforms: the possibility and dangers of investigation.

Russian News is Good News

The remaking of Russian journalism, and Russian journalists, in the age of Vladimir Putin.

Independent Journalism in Post-Independence States

The perils and possibilities of holding power to account in different African countries.

The Pipers and the Tunes

A comparative perspective on the power of proprietors, public service and people to influence the content and limits of journalism.

The Peripheral Vision of Central Issues

How good is the coverage of matters essential to public welfare and the public interest? And who cares about it?

Bringing Journalism In-House

Powerful politicians are increasingly creating the message on behalf of the media

David Cameron has a personal photographer. It’s a big step for the coverage of politics.

In this, he follows, and surpasses, the example of Barrack Obama. Obama, like presidents of the United States before him, has a White House photographer – Pete Souza, a well-known magazine photographer who has assembled his own staff. Souza's role differs from previous photographers, however, in that he has been tasked with shooting studies which catch Obama, and his family, in intimate and even grouchy moments; and more importantly, making these shots available free to any outlet which cares to use them, through the net. Since they are – and are designed to be – the kind of shots any professional photographer would take anyway, they are already being widely used.

Cameron has gone one better: he has hired his photographer, who has become an employee of the Conservative Party, while still in opposition. One of his first outings was last Wednesday, following Cameron to the Garden of Remembrance in Westminster Abbey during the Armistice Day commemoration. The Daily Mirror, which broke the story last Thursday (12 November), wrote that the photographer, Andrew Parsons, “barked instructions and was sometimes just inches from the Tory supremo’s face. One shocked onlooker said, 'The photographer was snapping away at every opportunity'."

Leaving aside the propriety of the occasion, the large fact is that these images were put out on the net within a few hours – available to all. They showed the Conservative leader looking serious and concerned – the kind of image which one would expect, but shown in much greater detail than usual. On such occasions, the practice had been that the photographers held back, giving the politician the space in which to contemplate the graves and the names on them. In this case – according to The Daily Mirror, which has an anti-Conservative line – the photographer choreographed the event.

As New Labour learned media tactics from the Clinton aides, so Cameron is learning from Obama. Cash-strapped media are in no position to demand that their photographers cover stories for which free images are available. And if Cameron follows Obama further, he will have his wife give an interview to a popular woman’s magazine, as Michelle Obama did to Glamour magazine – and give a joint interview, with his wife, to talk about their marriage, as both he and Michelle did with the New York Times. We are seeing a major development: powerful politicians taking the image and the revelation into their own hands, and doing it on behalf of the media.

We invite our readers to submit blogs similar to those posted on the website by our researchers. If you have strong views about journalism and politics that you'd like to share, submit your writing to us by emailing janice.winter@axessjournalism.com


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